Indiana University-Bloomington - Fall 2003 – Spring 2004
Jazz History (David Baker)
History of Jazz and Contemporary Music (David Baker)
Jazz Styles and Analysis
Theory 1
Theory 2
Ear Training 1
The New School - Courses Placed Out Of
Theory & Piano Fundamentals A
Basic Ear Training A
Theory 1A
Theory 1B
Ear Training 1A
Ear Training 1B
Arranging Fundamentals
Theory & Performance 1A Lab
Theory & Performance 1B Lab
Sight-Reading Piano A
Sight-Reading Piano B
The New School, Fall 2009 – Spring 2012
Rhythmic Analysis 1A
Theory 2A
Ear Training 2A
Lessons: In Proficiency (Ray Gallon)
History of Jazz A
Theory & Performance 2A
Improvisation Ensemble
Writing for Jazz Students
Rhythmic Analysis 1B
Theory 2B
Ear Training 2B
Lessons: Out of Proficiency (Aaron Goldberg)
20th Century Innovators (Music History)
Theory & Performance 2B
Sophomore Jury
Improvisation Ensemble
M-Base Ensemble
Art And Commerce (Mr. Robert Hurwitz)
Orchestration 1, Mannes College
Score Reading and Analysis
Linear Composition for Improvisers
Lessons: Out of Proficiency (Kevin Hays)
Classical Music History
Improvisation Ensemble
Rhythm Section Workshop
Music Pedagogy
Orchestration II, Mannes College
Fundamentals Of Conducting I, Mannes College
Alternative Musical Forms (Music Analysis)
Lessons: Out of Proficiency
Improvisation Ensemble
The Writings of St. Augustine
Organ for Pianists, Mannes College
Fundamentals Of Conducting II, Mannes College
Independent Study (Music Composition Project)
Lessons: Out of Proficiency (Peter Bernstein, Ralph Alessi)
World Music History
Improvisation Ensemble
Internship at St. Patrick’s Cathedral
Organ for Pianists, Mannes College
Species Counterpoint 1A
Lessons: Out of Proficiency (Aaron Goldberg)
Improvisation Ensemble
Charlie Parker Ensemble
Medieval European Literature
Senior Recital
Masters of Sacred Music, Conducting - University of Notre Dame, Summer 2012 - Summer 2014
Choral Conducting Lessons - 12 Credits
Piano Lessons - 2 Credits
Organ Lessons - 2 Credits
Voice Lessons 2 Credits
Master Singers - 2 Credits
Ritual Studies
Liturgical Year
Choral Literature I
Gregorian Chant in Roman Rite
Performing Renaissance Polyphony
Diction II - English, Italian
Choral Literature II
Eucharist
Liturgical Prayer
Music in Christian Thought
Vocal Sacred Music III
Graduate Recital (A Concert for the Feast of the Presentation of the Lord)
Doctor of Music Arts, Conducting - University of Notre Dame, Fall 2014-Present
Conducting Lessons - 3 Credits
Piano Lessons - 1 Credit
Repertory Choir - .5 Credits
Recital Choir - .5 Credits
Choral Conducting Lessons for DMA Majors
Sacred Music in the Twentieth-Century: Britten and Messiaen
Special Studies (Independent Study - Composition of Vespers of the Feast of the Immaculate Conception and performing editions/performance practice of music from the Roman Baroque)
Graduate Recital (Vespers for the Feast of the Immaculate Conception)
Sacred Music in the Classical Era
The Songs of Hugo Wolff
Independent Study in Composition with Prof. John Liberatore
Choral Literature in the Common Practice Era